
Tempusvivendi
Falcon
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Royal privilege, exclusive recreation, desert prince passion: the exact beginnings of the art of falconry are clouded in mystery. This archaic hunting tradition has accompanied mankind throughout history with the first recorded contact between falcon and man marking the beginning of an eternal bond more than three thousand years old. Two millennia before the birth of Jesus, nomadic equestrian peoples hunted in the central Asian steppes. Spreading outward, falconry became an integral part of many diverse cultures over the course of centuries, stretching from Japan to North America. The Middle Ages marked the golden period of falconry in Europe, where it quickly attained distinctive status, receiving royal recognition as the most noble of all sports.
Arabian Bedouins were the masters of falconry, in many cases teaching western royalty the age-old art. During the Crusades, falconry brought the cultures together like nothing else: Friedrich II of Hohenstaufen, duke of Swabia, was a passionate falconer and imported a falcon expert from the orient to aid him with his opus The Art of Hunting with Birds.
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The imagery of a falcon in flight, wings spread in sovereign watchfulness over land stretching from horizon to horizon, was symbolic for the supremacy of kings. The art of falconry bloomed in Europe until the eighteenth century. In the East, however, it continued to flourish under royal attention, with the expansion of Islam bringing falconry into all regions of Arabic culture, where it continues to be practiced today.
The falcon is typically depicted in flight or at rest on a wakir—a portable pedestal. The subuq and mursil—the leashes attached to the falcon’s legs—have become symbols of the falcon’s submission to the falconer.
The contact between this famed bird of prey and its trainer is intimate and intense, with falcon and falconer understanding each other’s gestures, commands, and abilities. Both creatures share in the spoils of the hunt as a reaffirmation of their bond, a bond rooted in an activity once needed for survival, but which today represents pure luxury.
The falcon, a supreme and luxurious symbol of time immemorial.
Function
Technical Details
Special features
· Double retrograde indication of time
· Continuously running display of minutes and jumping display of hours (temporal display)
· Special device for switching between the figure displaying the time and being in a non-temporal resting position (activated by button in crown)
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Movement Information
Diameter
Height
Displays
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Winding
Power reserve
Number of jewels
Frequency
Escapement
Balance spring
Shock protection
Decoration
Rotor
37 mm, including module
7 mm, including module
jumping hours (retrograde), minutes (retrograde).
Each shown by one of the figure’s extremities on a
semicircular scale
automatic
40 hours
25 bearing jewels
28,800 vph
Swiss lever escapement
flat hairspring
Incabloc
completely hand-engraved and gold-plated
18-karat gold, completely hand-engraved
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Case Details
Case material
Diameter
Height
Crystal
Crown
Dial material
Figure
Index plates
Name plates
Water resistance
Strap
Buckle
18-karat gold
43 mm
13 mm
convex sapphire crystals on front and back
contains button for activating time display
onyx or precious metal
18-karat gold
18-karat gold
18-karat gold
1 atm (10 meters)
hand-cut and –sewn alligator skin uppers and lowers
18-karat gold